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The Museum Nasional Indonesia (MNI) officially doubled its adult ticket prices to Rp 50,000 and significantly raised prices for students and foreign visitors, effective January 1, 2026, citing a commitment to enhanced facilities and services. This adjustment, announced by the Museum and Cultural Heritage (MCB) which oversees MNI, aims to support improved collection management, educational programs, and interactive exhibitions, according to museum officials.
Under the new pricing structure, general adult tickets for Indonesian citizens increased from Rp 25,000 to Rp 50,000. Students (PAUD to SMA) who previously enjoyed free entry now pay Rp 30,000, while foreign nationals face a threefold increase, from Rp 50,000 to Rp 150,000. Foreign citizens holding a Limited Stay Permit Card (KITAS) will pay Rp 50,000. Children aged 0-3 years, individuals with disabilities, seniors, and orphans remain exempt from entrance fees. Tickets for the immersive room remain Rp 35,000, requiring a separate purchase.
Esti Nurjadin, Head of the Museum and Cultural Heritage (MCB), stated that the price increase had been planned since August 2025 but was postponed until January 1, 2026, to coincide with the completion of facility upgrades. Nurjadin highlighted that operating under a Public Service Agency (BLU) system, the MCB emphasizes service delivery with a business mindset and a mandate to continuously improve visitor comfort. Significant changes include relocating the entrance and ticketing area to the more spacious Majapahit Hall and converting the basement auditorium into a mosque, expected to be ready by the end of January 2026. The non-ticketed area has also been expanded from 3,800 square meters to 8,100 square meters. The Minister of Culture, Fadli Zon, commented that the increase reflects an appreciation for the museum and aligns Indonesian museum ticket prices more closely with international standards, noting that European museum tickets average €12 to €65 (around Rp 235,000 to Rp 1.3 million). This move follows a year-long revitalization and extensive development efforts by the Indonesian Heritage Agency (IHA), which reopened the museum to the public on October 15, 2024, with modern facilities and interactive exhibitions.
Despite the official justifications, the significant price hike has drawn immediate and strong criticism from the public and experts alike. Warganet expressed dismay on the museum's official Instagram account, with many questioning the drastic increase without a perceived equivalent improvement in core services and facilities. Critics pointed out that key areas like the gold and ceramic rooms remain closed, prayer facilities and canteens are inadequate, and guidance services are limited. Concerns were also raised about the accessibility for visitors with disabilities, the lack of audio guides, and non-functional escalators.
Ansori Baharudin Syah, a Public Policy Observer from Universitas Nasional, called for a review or even cancellation of the policy. Syah argued that a government-owned institution funded by the State Budget (APBN) should prioritize public access to education over profit. He expressed concern that the high cost would deter public interest in educational tourism, creating an impression that learning history and culture requires substantial expense. Syah asserted that improvement costs should be allocated from the national budget rather than passed on to visitors through exorbitant fees. Vice Chairman of Commission X DPR, Lalu Hadrian, also stated that the DPR would monitor the price increase to ensure it does not negatively impact public interest in learning about Indonesian history and culture.
Historically, prior to its BLU status, the National Museum's ticket price was Rp 8,000. It then increased to Rp 25,000 after adopting the BLU system. This latest increment marks another substantial leap in a relatively short period. While the government has previously allocated funds for museum revitalization, such as Rp 149 billion for regional museums in 2013 and Rp 1 billion per museum for 111 museums in 2018, the BLU framework allows museums greater autonomy in managing finances and setting tariffs. However, critics contend this autonomy should not overshadow the museum's fundamental role as a public educational institution.
The long-term implications of this policy remain a point of contention. While increased revenue could potentially fund further enhancements and better conservation efforts, the risk of alienating a significant portion of potential visitors, particularly students and lower-income families, looms large. The challenge for the Museum Nasional Indonesia now lies in demonstrating tangible, commensurate improvements in visitor experience and educational value that justify the elevated cost, mitigating the perception that cultural heritage is becoming an exclusive commodity rather than an accessible public good.